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tion tht> reality of marriage.
Amanda Puskar plays a hurle^um whu ties the entire wacky show together, a kind of touch on innwin
a bizarre world. In the surrealist tradition of Dada artists. the costumes created by Mane Svavetti are wearable art that try tu sujfjrest the inner thoughts and feelings of the actors who perform while wearing their psyches on their sleeves. She hopes to niuke them available Kir purchase as a line of wearable art.
Heather Puskar has created all the props, from ifiant sized spam boxes and hujie computer screens to banners that su){£est the unreality that the audience will see. The Capital Frtnc* is performed in «0 locations by about 141) theatre co»i
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