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Page 7 · column 2 of 7 · from the scan, no model involved
stands at attention while Brown-Wing traces his body to show Harry “where to start” her pencil drawing.
“To be an effective artist, feel the horses bone structure, literally if you am, to determine his form,” BrownWing said, placing sticky notes at the point of Firefly's shoulder, and hip, and dotting the bones of his neck and spine with white tempura puint. “That gives you an indication of how he is put together, gives you a flow of movement.
“I want you to look. Really look at that horse’s head. Don’t think about what you ‘know’ about hone heads, but really see what’s in front of you. Breathe. Really breathe. It helps unclog your brain.”
Harry sketches away tracing then erasing the lines of Firefly’s hind leg as BrownWing lilts his hoof to show her changing form with movement.
“Start with the simple shapes,” she said. “For the head, maybe a rectangle. Then, later, you chisel it away and reveal the form of the horse’s face. Get the bask structure and architecture first.”
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