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work of the local craftsmen over a wide area and undoubtedly influenced the glass painters who worked on the Museum’s window, to judge by such early glass as has survived from the 14th Century buildings of Klosterneuburg.
As one sees this window in the Museum, its brilliant colors, its design and its carefully worked out symbolism convey a large meas-, ure of the original and very strong religious impulse which led to its creation, and one senses the worshipful use for' which it was designed. i
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