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MUSEUM
Continued from page six historians say that Taiso was turned back by the newly arisen Saracens from forging a link with the Byzantines at Constantinople.
However that may be, it is cerain that many influences entered China during Taiso’s reign and that they served to quicken and revitalize Chinese art. This quickening is evident, too, in the Museum’s camel, for its bold, though simplified form and its direct statement of the essentials of the animal. all speak of a fresh, strong art which has not yet reached the climax from which there is onlydecline.
Purchased in 1951, from the income of the Williams Fund, the Museum’s T’ang camel is a vivid
POSITIVELY—No Hunting on Jessamine Hill Farm without written permission.
VV. A. Spillman, manager
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