Block · one region of the page, as the scanner read it. It may hold a whole story, part of one, several, or an advertisement; stitching blocks into articles is the next step. Text is supplied OCR.
Page 11 · column 3 of 6 · from the scan, no model involved
he right comer were introduced jecause of their connotation of vigilance and loyalty. This meanng was derived from the legend ibout them that stated that at light, when the cranes were garhered in a circle, one of them was ;et on watch and hfc, to guard igainst sleep held a stone in one oot so that it would fall on the ither if he should sleep. The stage, just behind the cranes -epresented religious aspiration and liety, as described in Psalms. Thus /an Alsloot, even though his major interest was in landscape,. used joth the landscape setting and its figures to create a touching religious painting full of meaning and devotion. This painting belongs t» the Virginia Museum of Fine Arts to ivhich it was given by Mrs. Hildreth Scott Davis in memory of her lusband, George Cole Scott.
*OINT-TO-POINT RACES
Continued from pagt one
;r, won the Young Entry race. Miss Diane Bruce riding Trixie, iwned by Jack Blankenbaker, took he trophy for the Mason Mounttin.
The W. A. Laing Memorial vas won by Miss Lee Greenaway iding Sir Nigel, owned by her ather, Leon T. Greenaway. C. Linton, Jr. raced to first dace riding Timber Line, in the Mary D. Slaughter Memorial. Hound owned by Woodrow Zloughlin placed first in that race vith Clifton Clark’s second and mother of Mr. Coughlin’s coming n third.
66.8%