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noted for his landscapes into which mythological personages or secular figures primarily in hunting pirties, were introduced. His fame was such that he was appointed, about 1599, court painter to the then Governor of the Netherlands, the Archduke Albert of Austria and (the Archduchess Isabella.
In spite of his preoccupation with landscape van Alsloot created a delightfully pastoral “Flight into Egypt” in this canvas. The sense of peace after the escape from the vengeftce of Herod is strongly communicated to the spector: by the calm wooded landscape with its glimpses of a village beyond the lake and by the figures themselves, not only those of the central group but*also those more distant ones who animate the middle distance.
The teligious needs of the theme Continuedman page twelve .
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