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both composed of oil, paper, polyvinyl and foam core, which are boxed three-dimensional scenes that look as if they might be mock-ups by an interior decorator of what she or he suggests in furniture and accessories, including the colors recommended — purple and blue in one, red and blue in the other. Almost child-like pop-up constructions, they aren’t folk art or fine art, but something unnameable in between.
This show, interestingly, features few human beings. Eleven include “people,” but of these the artists focus on only seven. One of the most moving is a group sculpture, a man, perhaps a woman, and a dog, called “Family.” This consoling bronze is one of Mary Brownstein’s masterpieces. Frederick Harr’s silver prints, entitled “Small Room,” was a shocker for me when I first saw it, an indistinct, almost tortured, shadowy image of a person.
Another disturbing portrait is “Night” by Robin Purnell, an oil painting of a sensitive, troubled face portrayed in a surrealist setting
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