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honest-to-john piano playing a'nd| was not tin-canned. Records are fine;,w«’ve all enjoyed them. The radio has brought music to those who would never have heard it. The moving picture has given us magnificent sound by great artists, and so has television—but the tale is still the same: it was not the real performer where you could see him and hear him. Many of us would rather hear one hour of the real thing occasionally than to spend many evenings with the tincanned variety. , Here goes one of the 200 opinions of Sunday’s performance. I yliked the Beethoven. Mr. Haaker* seemed nearer to warmth and ease when he hit into the Beethoven than at any other time, and the entire program was a little on the icy side. 1 didn’t care for the Mozart; it was choppy, and he appeared to sacrifice continuity to clarity of runs. The ^Sndo at the last, or ♦‘alia turca” I think'it was called, lost some of the chop and smoothed out.' could have stayed on the Debussy from no»w to next summer and it would still leave me cold. I don’t like Debussy not even when the Mists go into the Goldfish without a break.
There was a spriteliness in his
wonder if Mr. Haaker with his
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