Block · one region of the page, as the scanner read it. It may hold a whole story, part of one, several, or an advertisement; stitching blocks into articles is the next step. Text is supplied OCR.
Page 12 · column 6 of 6 · from the scan, no model involved
to travel”)
As Clyde heads off to the bam, Gwen sa£sr“Oh, bring out Silver! And let’s go get Ben out of the bam. C’mere, you,” she says to a handsome, six-foot brown-and-white male who is already nearby, and who bows his head down to where Gwen sits in the Gator. She hugs his long neck to hers.
Just as it is impossible for normal humans to predict which episode of an ever-changing life will bring more or less happiness, in this moment it’s hard to say which of these two, the llama or the engineertumed-farmer, looks more content.
“Yes, we’re going to miss the farm, and the llama community” Clyde says later, asked the obvious question. “And we’re going to miss the Rappahannock community. We’ll be taking a lot of fond memories with us.
“I’ve been through a lot of changes in my life,” he says, “so I’m kind of accustomed to change. But I might still ciy when we sell the llamas.”
“You know, you can find art in its most general sense in a lot of different places,” says Huntly metalwork artist and blacksmith Nol Putnam, after someone suggests that the Hays’ application of their llamas and time to the local landscape might be a type of artistic endeavor. “You don’t have to be a person sitting there with a brush, or a hammer, or some clay. You can five your life in an artful way and make a tremendous difference in your community."
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