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piaiiu ui aiiiiiicu forms, perhaps a lion, and a measure of barbed wire. Some of the surface is iridescent and amid all this mysterious imagery is a line of miniature American flags.
Other unsophisticated persons like me, I think, would agree that Ms. Gilmore must be taking us on. How can we decide what she has done? Technically, she has accomplished a great deal, but in the process she has left most of us behind. There is no excuse in this picture for the several American flags.
One of the few pieces making a social comment is Ephraim “Ed” Steinberg's “On the steps with a red bag,” a screen print of many steps outside a building we don’t see. At the top left of these curved steps is a small, huddled down street person.
Lots of money, care and importance has gone into the architectural structure that dominates the picture and apparently little concern for a human being taking refuge there. A pale blue, nebulous beyond defies identification.
“Golden Plum,” a monotype and oil by Ann Chenoweth, pictures a background of golden leaves before which energetically coil sinuous limbs as if alive, painted green, blue, purple and brown. This animated portrayal of nature is almost emotional in effect.
There is too much to say about this stimulating group of artists. See their works and eryoy their accomplishments.
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