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overnight from the “savior of women’s health to the nation’s over-privileged pariah” and the American public turns against her 4 to 1 in the polls.
In the following scene in a subsequent interview, Lyssa lets down her hair and levels with the American public as to how this “crime” could occur.
She explains convincingly how a very busy professional woman and soccer mom could misplace this little piece of paper and forget to return it.
The “public” suddenly does an abrupt “U” turn and supports her anew.
So does the audience that erupts in a spontaneous burst of applause as she touches an evocative and emotional chord with all women—and I suspect most men.
Many theatergoers were leaving their seats at this dramatic conclusion wiping away tears of empathy and understanding.
Molly Smith, the play’s director, notes in her written commentary on the production that this smart and
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