Block · one region of the page, as the scanner read it. It may hold a whole story, part of one, several, or an advertisement; stitching blocks into articles is the next step. Text is supplied OCR.
Page 12 · column 2 of 7 · from the scan, no model involved
Apart from scouting locations - Mulyani came to Rappahannock last fall with her cameraman. Pawel Biel - creating the sets for filming can take hours, even days. But the real magic of transfbrining a disused bam into a candle-lit woodsman’s forest hut is lighting, and the crew for this film knew how to cast their spells.
Although Mulyani has final creative control, cameraman Biel spends as much time identifying locations, directing the set layout, lighting and camera frames, position and movement as she does directing.
The camera used to shoot the film is state of the art - digital - and photographs the scene in f rames just like older “reel” film cameras, but with incredible resolution. The effect is seamless, not blurred motion. The camera itself cost around $60,000.
It is astonishing to see the vision of Mulyani take shape1; from sketches in a notebook, to scribbles on scraps of paper by the "grips" of set layout,
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