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When Williams is accused of shooting his live-in lover, the writer elects to forget his planned lifestyle piece and instead chronicles the aftermath of the murder.
In the process he rubs elbows with some of the more idiosyncratic locals — including a voodoo priestess (Irma R. Hall) and a drag queen scene stealer, the real-life Lady Chablis. Alison Eastwood, the director’s daughter, makes much of her small role as
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