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orated with abstract designs.
One thinks of William Carlos Williams poem “The Red Wheelbarrow”:
“so much depends
upon
a red wheel
barrow
glazed with rain
water
beside the white
chickens.”
Like most of the other pictures from India, Hanna Sarangan’s “Boy with Eggs”, registers the location of the photographer. Indian culture has resisted much influence by the West. The handsome boy carrying a tray of well arranged eggs would not be duplicated in other places.
There is a black and white picture of a rose by Christina Lee Huang, aged 17, of Maryland, with remarkable definition of the flower’s petals. Nina Barry’s (aged ten, Paris, France) mysterious picture, entitled “The Wind”, looks like a close-up of what might be an elephant’s eye and part of someone’s head and hair.
Added to it is the back room full of good pieces by Gallery members. The exhibition lasts until July 28 and is open on weekends.
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