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bining the baryton with the viola and cello creates “a unique-sounding ensemble in which the sonorities of the instruments are so closely matched that at times it is difficult to distinguish which player actually has the leading voice. It is this unusual but brilliant sonority, so rarely heard today, that the Esterhazy Machine recreates for its audiences.”
Kenneth Slowik is artistic director of the Chamber Music Program at the National Museum of American History. He is a founding
See CONCERT, Page B8
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