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Hinckley presented the finished blueprints to O’Connell and Lynch.
’Gasp', they said.” he recalled, smiling broadly. “But it did everything they wanted it to do."
Next the plans were sent to Joyce Evans, a London designer whose accomplishments range from "doing for the royal family" to designing theater costumes and sets, decorating private homes and painting lovely water colors and oils, according to O’Connell.
"I told her I sort of saw this in browns and then turned her loose. That’s what I always do when I work with Joyce." Hinckley said of their long professional association that stretches back to when both were studying in London under Sir Hugh Casson. now head of the Royal Academy.
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