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were emanating from the canvas itself. She said she paints the backgrounds as if doing abstract paintings that could easily be reduced to geometric shapes and lines. “I try to stay loose with the foregrounds when working with the relatively fast drying paints,” she said.
An oil painting on wood panel, “The Rabbit Ibid Me to Kill Her,” is a bigger than life, white rabbit seemingly squeezing its way out of the painting and over the edge of the frame. The rabbit appears to be deeply contemplating something mischievous.
The grasses, flowers and
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