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The vividness with which this idea was brought to life was the work of many people. A performance encourages one to focus on the actors, but reflection suggests a deeper look.
The director Michelene Hostetter, had the responsibility to interpret the script, see that each character related plausibly to the others and pull the whole play together.
The stage manager, Sarah Shorter, was responsible for the complicated and beautiful arrangement of the scenes with their properties and the especially constructed, ingenious settings. The costume designer, Cornelia O’Conner, had to plan the elegant, colorful and authentic clothes for 12th century courtiers, and see that able friends were found to make them.
Vincent Day’s all-important lighting design worked to make us forget how much hinged on artistic and adequate illumination. No one who saw the play will forget the picturesque sets designed by Waldron O’Connor and constructed by Steve Hostetter and others. They moved us from room to room, even to the dungeon of a great Norman castle. '
All of these individuals, together with Nol Putnam, forger of Henry’s no-nonsense great broad sword, and
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