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the fine supporting actors, deserve most of the credit for the play’s success. But many others smoothed their ways with enabling work.
It was not unlike the organization of an expedition to climb Mt. Everest: while only a few reach the summit, they are utterly dependent on dozens backing them up below. The team work, however, is fun and the comaraderie developed every participant cherishes.
I hope we can all appreciate too the money the Players advanced to meet production costs and the expenses in terms of hours of volunteered time. Had we to pay in ticket charges what the donated work represented, none of us could have afforded to attend and there would have been no live theater in Rappahannock.
No pains in terms of attention and thoroughness were spared to bring us “The Lion in Winter,” from the publicity that preceeded the opening to the three trombones that set the stage with their baroque, interwoven melodies to which we listened in the hush before the action began.
When can we hope for such another occasion? How can we thank our friends and neighbors who made it possible?
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