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with scarfs and flowing costumes in the first episode, moving gracefully and beautifully in an especially feminine interlude. They were followed by a masked female dancer performing a male part. The red face of this bug-eyed, long nosed character suggested a humorous folk figure.
The Monkey King episode that followed was full of vigorous, complex high-jinks associated with this mischievous, clever, acrobatic character of Indian and Chinese folklore. The combination of music and dance w as almost mesmerizing.
I hope the gallant troupers from Charlottesville and the Indonesian Embassy in Washington, D.C., appreciate the thrill it w as for us to be so close to and so directly engaged with them as we wrere privileged to be.
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