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here by Gaea, the earth mother goddess, and the Erinnes or Fates, aspects of a female, generativecelebrating society, and the sun god, Apollo, patriarchal, aggressive and possibly even death-dealing.
The music opens with a nervous, somewhat frenzied development, apparentaly expressing the Erinnyes uncertainty about what will happen. Gaea’s hymn is reassuring and melodic. Apollonian themes portray Apollo as a kind of belt-way, gridlock force, at best, a champion of horse racing and casino fast living.
We feel a musical comedy response to some of these themes which sound modern, especially when we compare the music to Carlton Coon’s work, if we can remem
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