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commission, thus straining the household’s finances.
Vermeer senses an appreciation of his work in the new maid, the daughter of an artist, which no one else in his family shows. He teaches her to buy and mix his paints. He notices her response to his experiments with light and space. And as Vermeer’s interest in this fresh-faced lass grows, so does his wife’s jealousy.
The film observes the psychological warfare within the household even as it absorbs the town outside its door, where animals roam the streets and garbage lives in the canals. All of these tensions, hardships and schemes as well as the life of the times seems to go into the painting of one
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