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to compose his work. Another opinion might see in the barbed wire the virtue of the linear qualities of the wire and the dynamic function of the barbs to animate the figure.
In contrast to his horse, Mr. MacNelly’s “Mac’s Wild Ride,” a replica in barbed wire of an airplane, complete with scraved pilot, invites one to examine the many kinds and forms of metal he has used to make this gay extravagance.
Not surprisingly, MacNelly’s subjects comment on his world — two “speaking” liknesses, drawn with ballpoint pen, of individuals, “Master Dink,” a Key West boatman, and “Chris in Paradise,” his assistant who usually resident on Colorado, but in
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