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attempted before, and to move yet farther away from the stylized representational images still seen in the work shown at the Glassworks Gallery in Sperryville a few years ago.
In the degree of abstraction Gerhard seems to have returned to the style developed in the small works on paper he presented at the renowned Franz Bader Gallery in Washington, D.C. some 30 years ago.
But the palette is a different matter altogether. These bright and mostly straight forward colors bespeak a new lease on life— be it of spring in these troubled times, be it of renewed
See GERHARD, Page B2
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