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ty that almost leaps off the paper. “Fortunately,” he added, with his characteristic sense of understatement, “I had my gear.”
This razor-sharpness underlies all of his work, whether photographs of musicians, landscapes or misty waterfalls. “When I was younger, I could see the hairs on a gnat. I don’t like soft, outof-focus pictures.”
After nearly 40 years and thousands of pictures, he is focusing on a new project — sorting and organizing his photographs into what he calls “a
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