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have indigo and that is expensive,” she noted.
The colors are subtle. In Kim’s tapestries, the shades change from dark brown to lighter brown to tan to greenish tan to green to yellow green to yellow to gold so gradually that the material seems to flow almost as if it were liquid.
After the wool has been dyed and dried, Kim can take a whole afternoon dressing her loom with a long warp and then another afternoon weaving.
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