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bureaucratic jobs.
“It was my first office job and I felt the pressure even though it wasn’t regular government work at the Smithsonian. I didn't knit or needlepoint so I went out 4nd bought some dowells and yarn at Woolworth’s created a tapestry wea^e. had absolutely no ide, what I was doing but I jeall like the way it turned Kim recalled.
Where museums had to infect her with the fin bug, that first piece of textile
night
Kim
hool. art—amateurish as it have been—hooked per.nanently.
Beloit didn't have a textile department, howeve when she returned to s< she tacked up notici bulletin boards acros campus, looking for sor who could teach her tl of weaving.
She found a transfer the Rhode Island Schtl Design to instruct her in weaving and another we who'd learned veget dying and spinning Scandinavia to informal courses in those areas.
At the same time, Kim
conduct
both
85.9%