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of the reed basket. Many- of us have had the experience of seeing a twisted branch while walking in the woods and not knowing if it’s a snake or a honeysuckle vine. Ms. Kerig played on this uncertainty by creating a dream object — rubber woven into a traditionally shaped basket.
Diane Waldron’s “Sea Witch” has octopus-like tendrils spilling from a hat-shaped leather point of focus. It., is dramatic in scale, occupying the hall space and ebbing into the next' room.
Joel Boyer’s baskets and wisks have the presence of objects in a Natural History Museum, There is an ancient, religious weight to the solidly crafted objects that feel as if silence is embedded in them.
As always, Jeanne Drevas’ creations are daring and powerful. One piece is outstanding for a lyrical quality. “The Eye of the Storm,” with its molded paper structure of turquoise, delicate purple reeds, • thread, foil and glass evokes both a sea creature and the sea itself.
Time is preserved in different forms and materials in Laurie Marshall’s box construction, “Portrait of a Childhood.” She uses old lace, a pocket watch, an anonymous, tintype baby picture, tiny molded eggs, images of mountains, dinosaurs that spin the past, the beginnings, the eternal, and the new into a frozen moment.
Rappahannock County is fortunate to have a display by talented designer Sam Cliffton, whose solararchitectural ideas may be seen in houses throughout the area. His fab
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