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experienced in 1995. In “Moonrise, Fraser Preserve” dangling “fruit” on trees are caught flood debris, indicating a high water level.
Nearly all of the pictures include water or snow. In several scenes, the water has been shot so that it looks somewhat like lava, flowing among stones sharply displaying lichen growth. Other pictures take advantage of reflections on a mirror surface. In “Algal Pond, Great Falls Park,” the brightness and light of the sky makes a sparkling foreground water image of leaves and branches.
Only in one picture is there sign of the local fauna. Mr. Blundell has caught a “follow the leader” parade of three snapping turtles of descending size leaving “Hidden Pond” walking up a partially submerged branch.
One especially moving scene of snow and trees, “Winter Wetland, Mason Neck,” shows a dreamy and mysterious vision of a world of cold mist. Several of the pond and stream scenes lead one’s eye to an end that suggests, a oriental gardens do, more to discover that is out of sight.
Photography creates an immediate, accessible image, the occult phase of this art is in the development of the
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