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unspecific but clearly centered emotional focus and the formal coherence that made last year’s ‘Seven Dreams and an Awakening’ so compelling.”
Still, he found “privileged moments” in each work. “Scenes from Childhood” gave the audience a child’s-eye view of the Mother (Nan Reddick), “playing with her offspring as if they were doll house figurines.” The viewers “heard Father (Mitch Mercurio, with Catherine Kiley as his mysterious shadow) popping in the door after a day of gallivanting and exclaiming, ‘What’s for dinner?’ ”
In “Seen Through Moving Water,” the critic described as “riverting” the passage in which "a melancholy cluster of dancers momentarily evoked Rodin’s statuary ‘The Burghers of Calais.’ ” He also singled out for praise a gender-changing duet performed by Helen Rea and Don Zuckerman, guest members of Last Minute Wood.
“Ope left with renewed respect for Nash’s honesty, probing spirit and individuality, but also a sense that these particular productions remained artistically uncrystallized,” Kriegsman concluded.
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By the start of the Revolutionary War, Philadelphia was the world’s largest English-speaking city outside Britain, National Geographic says.
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