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sense of right and wrong.
This is a sensitive but not overly sentimental adaptation by John Irving and the famous Swedish director, Lasse Hallstrom, of Irving's 1985 novel.
Hallstrom and Irving's film is more honest than any conventional morality tale. Here there are no heroes and no real villains; the good guys are all flawed and even bad guys are sometimes capable df the noblest of acts. As Larch himself puts it, "Sometimes you've got to break some rules to put things
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