Block · one region of the page, as the scanner read it. It may hold a whole story, part of one, several, or an advertisement; stitching blocks into articles is the next step. Text is supplied OCR.
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Irola, ASC, Head of Cinematography, USC Cinema-Television, said, “We see color—Patti Bellantoni feels color. She is passionate about how we (the audience) are affected by the use of color as an emotion in film. Bellantoni’s book pulls me back into my favorite films and helps me look at them in a new way.”
Bellantoni has spent twenty five years researching the effects of color in film, having studied under the renowned color theorist Joseph Albers. Her faculty credits include The Conservatory of the American Film Institute in Los Angeles, the world’s premier film conservatory. Now a well respected authority on the power of color in film among film industry leaders, Bellantoni teaches how certain colors trigger certain emotions. For example, she shows how the use of red in films is tied to themes and characters that are powerful, defiant, anxious,
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