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Adding not just music to the movement, Ms. Wyrrick progresses one step further to include words and a projected image of herself.
“I thought I was going to be a visual artist,” she said of her past, adding for several years before her movement into the dance world, she worked as a graphic artist.
“In the past few years, the visual elements have entered the creative process. They are as much an element of dance as the dancer’s movement,” she said of her work, explaining she has always been inclined toward theatrical work.
“The inclusion of text or speaking with dance is different than a traditional dance piece,” she explained.
Dressed in leggings, skirt, and brightly flowered blouse — alluding to the theme — she will explore the world of film and elimination of space in film or beyond.
“The general premise asks what gets cut from a piece and what is left out,” she said, adding this pertains not only to the clip of film but the contemporary social and political issues.
Her most recent solo presentation, Ms. Wyrrick said, she has thought about “for five years. The seeds were planted long ago but Only in the past several months have the ideas started to take shape.”
Taking the dance one step further is Ms. Nash’s piece — adding more movement with more dancers, more dialogue with more characters yet, less sound as no music is shared, only words in a song.
The shaping of Ms. Nash’s “We Always Spent the Summers in Wisconsin” is ongoing, she said.
“It’s not finished,” said Ms.
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