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Junior Switzer was asked ,to play. With his wife moving quietly in the background adjusting the volume of.the accompaniment tape from jjust a nod or whisper from her husband, Mr. Switzer began drawing the bow across the saw while gently flexing the saw. “The Old Rugged Cross” fluted through the sunlit ljvjng , room. The music from the saw had an eerie quality, whispy and fragile like cobwebs. The final notes ... “and exchange it
someday for a crown," drifted*^ away.
This very close-knit fapiily draws together as often, as, they can. And although they don’t break into four-part har- • mony quite as often as they used to, there is much harmo^ ny there.
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