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Lawler, who danced a jazz duet in true flapper style.
Rappahannock’s popular acapnia singers, The Eclectica, treated the audience to some “Golden Soul,” “It’s the Same Old Song,” and two Smokey Robinson tunes: “Oooh Baby” and “I Don’t Blame You at All.” The harmony and the simple movements used to punctuate the singing were cohesive and together, and matched only by the 40’s style clothes worn by the seven members—Beth Levick, Catherine Kiley, Sam Clifton, Jeanne Drevas, Greg Foster, Stuart Eiland, and Sherry Albrecht.
Another musical was the performance of Charlie Tompkins on acoustic guitar and Mark Maggiolo on baqjo, playing and singing fine bluegnas. They demonstated expertise on both instruments, and the singing was relaxed, unfettered and appropriate.
A surprise addition to their performance came when one of the evening’s hosts, David Konick, drained a cowboy hat with his tuxedo and gave a crooning, cowboy rendition of Hank Williams’ “Ain’t Nobody’s Sugardaddy Now.”
The RAAC Country Dancers, in full period costume, presented an authentic Colonial American dance entitled “Hole in the Wall.” Arranged by Sid Gottlieb, the movements of the dance were graceful and gracious, and were executed with ease.
Van Vaselka’s dramatic reading of his prose poem “Billy Dee Dum” was powerful and moving in content and presentation. The story of a runaway boy picked up hitchhiking by a man who
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