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By DAPHNE HUTCHINSON
Rappahannock New* Contributing Writer
Morocco’s Bazaars, its camel cara vans and desert dunes, its tattooec Berber women and burnoose clad no mads were the catalysts for Dottie An drake’s career in photography.
She began with a hobby that fa cused on documentary studies of Mo roccan people and culture and 10 year later, found herself a surrealistic art ist. It is her surrealistic fine art pho
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