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lashing and slapstick.
An excellent chorus of nine other-worldly “goddesses” grace this production also, as fates, as harpies, and as muses — part of the fanciful blend of this most personal and rewarding of Shakespeare plays.
Accompanying this chorus of goddesses are Lorraine Espinola’s originial musical compositions on the harp which — especially when she sings the play’s three Shakespearean songs — sound positively celestial themselves.
The artistically rendered backdrops of the production are of a muted oriental motif that help evoke the magical dimension of an enchanted isle. Complementing this is Peggy Schadler’s Chinese artinspired demon’s mask that,
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