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back into the blast.
With this metaphor, Bede wanted to teach that by accepting Christianity, one would be spared this fate and instead could look forward to immortality in Paradise.
The poet John Frederick Nims alludes to three of these myths in a poem published in the June Atlantic Monthly. He calls it From the Rapido: La Spczia - Genova, or from the express train between two northern coastal Italian cities.
From the train, like a flash of a camera, “Glossies of Eden,” he sees vacationers playing on the beach, evoking from him an approving “Amen.” What an alluring, idyllic scene!
But the beach is faced by hills tunneled for the train’s passage, and periodically, he is driven into the reverberating dark, “down Pluto’s flue,” only to be whisked out into tbe brilliant sun again.
The red tiled roofs, of hillside dwellings remind him of a cartoon by Steinberg, zigzagging one above the other, up-and up. The poet wonders
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