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lace and overflowed with pearls, this year skirts are simplified.
“Many of the skirts are totally plain without any embellishments at all,” explains Holly McMunn, director of public relations for Bridal Originals.
“In fact, trains and skirts have unadorned fabric with just a touch of lace. The emphasis has really gone to the bodice of the gown,” said McMunn.
Look for lavish hand beading and the use of appliques on both the front and back. Or, hand beading appears on sheer lace that covers flesh-tone organza, creating the illusion of a show-through look.
Some gowns appear lingerieinspired, mixing lace and embroidery for a feel borrowed from intimate apparel.
Necklines receive new emphasis, and this year, there are innovative alternatives to traditional high-neck styling.
The portrait collars, capelets, fichus and scarf-tied looks that appear in ready-to-wear also influence bridal clothes.
“Also important this season are wonderful decolletage — off-theshoulder — looks,” says Tober, “and unusual necklines that billow into sheer bishop sleeves. ”
When shoulders are bared, look for bows or fabric rosettes that draw attention to the shoulders.
There also is significant back interest this season: keyhole cutduts, V-designs filled in with pearls and ruffled bustles keep eyes trained on the bride as she glides down the aisle.
Peplums are another point of interest — they’re more prominent and architectural than they have been the last few seasons.
Waistlines are slightly higher, and in more fashion-forward gowns may even be empire.
“The sheath is another gown shape that’s enjoying a resurgence,” adds McMunn.
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