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occupies, the uncovered water hole in the tiled floor, the fact that one of the cats is pregnant while another has a spiny, red tail, which drew my attention to the woman’s almost bloody right hand holding a besom (a twig broom), all filled me with curiosity.
I am pained to have to ignore a majority of the pieces in this rich exhibition. But turning away from the portraits, let me urge gallery goers to look as carefully at Jeanne Drevas’s “I’m Coming Out Next Year” as you would look at the paintings, drawings and other pieces of sculpture. y .
This imaginative construction is
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