Block · one region of the page, as the scanner read it. It may hold a whole story, part of one, several, or an advertisement; stitching blocks into articles is the next step. Text is supplied OCR.
Page 5 · column 2 of 3 · from the scan, no model involved
Fritz Dietel’s Spellman
Spellman is set in a grove of trees and deep green foliage — a “sharp contrast to its crisp, mechanical man-made form”, Fritz told a Philadelphia reporter. The Philadelphia Inquirer reported that "...Dietel has chosen another option, a structure totaly extrinsic to nature that established an ahernative, albeit empathetic, environment.” And in “Art Matters”: “Spellman...is made of two sections of undulating wall that define but do not enclose the space between them. A seemingly simple architectural concept, it’s alive with changes of color and the surrounding view of the landscape as you proceed inside and outside the piece.”
In a recent interview, Fritz described Spellman’s growth from sketches, and that as he saw “the relationships between inside and outside, the contrasting colors, the largeness of the work and its overwhelming, larger-than-life quality”, he was reminded of Ranee. His large, initial, sometimes intimidating presence was immediately contradicted by the “light, bubbly, joking inside,” Fritz explained. “You
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