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quet provides a welcome bit of comic relief in Act III.
Sean Kilpatrick, as Botard, convinces us that a synthesis of Karl Marx and Groucho Marx is indeed a possibility.
Mr. Ionesco has a fondness for the counterpoint of talk and in the first act he builds a pair of overlapping dialogs with a clever orchestrator’s ingenuity. Then he follows with a discourse by the logician, ably played by Ken Ritvo, that is both humorous and satirical. Clayton Turner provides us with a hilarious foil for the “sillygisms” the logician would have us believe-good timing among the four characters help make this a workable niece of comedv.
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