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Linda Heimstra, Ann Eagen, Worden Robinson,
Mike Connifey and Chip Wood all contribute rowdy and diverting bits to help fill the set, designed by Sam Cliffton, with motion and turmoil. At one point in Act I there are nine characters occyping the tiny stage without seeming to overwhelm it.
Dorothy Kuncewicz provides a hysterical comic edge as she mourns and leads a funeral procession for her beloved “Puss” in Act I and later as she decides she cannot abandon her husband “Boef” even if he is now a rhinoceros. She is last heard from riding her recently transformed husband home from the office high in the saddle.
An exciting and innovative aspect of this particular presentation is the way choreographer sally Nash, acting on the idea of director Eiland, interprets the rhino epidemic and incorporates it into an integral part of the play. Julie Coon, Margaret Gottlieb, Sid Gottlieb, Cathy Kiley, Mitch Mercurio and Debbie Page all manage to convince us that rhinos are everywhere we look. The energy expended in Act III by the entire herd, or rather troupe, certainly helps create a dramatic conclusion to the play.
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