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which, it has been, humorously remarked, he “turned from the world of high society to a low life of jazz."
Eaton’s recent concerts have continued to gain enviable critical acclaim Just last year, Mike Joyce commented in The Washington Post that “some of the leading lights of Broadway shone even brighter than usual at the Barns of Wolf Trap . . . thanks to John Eaton's wonderful solo piano salute."
And Washington City Paper, referring to a concert at Blues Alley, pointed out that “along with the polished pianistics, you can expect . . .
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