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known dramatists of the late 19th century, both one-act plays are of the “love-conquers-all” genre with the antics of the would-be lovers said to resemble “Saturday Night Live” without the intellectual content.
“The Marriage Proposal” is a farce in one act, telling the story of a nervous would-be suitor who comes to propose to a neighbor’s spinster daughter. Usually an exciting and romantic event, petty squabbling over the disputed ownership of an
See CHEKHOV, Page B2
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