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jor, noo. a v :^u; xnozarr a i no in u Mtyor, K496; and Beethoven’s Trio in C Minor, Op. 1, No. 3. At 2:30 p.m., Slowik will (five a preconcert talk and discuss the cultural significance of collecting musical instruments and the historical relationship between the instruments and the music itself.
Although the violin and ’cello used for the concert may not seem unusual, the piano will definitely raise some eyebrows. Built by Thomas and Barbara Wolf of The Plains, Va., the piano is a replica of a late eighteenth-century instrument (1788) built by Johann Dulcken in Munich, Germany,
The Dulcken piano is part of the Smithsonian’s collection of more than 250 keyboard instruments. This five-octave piano - modem pianos are seven and a half octaves - is typical of the grand pianos that Mozart composed on and looks more like a harpsichord than a modem grand piano.
Even the violin and ’cello will sound different than their modern counterparts. Both McDonald and Slowik use strings made with
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