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Page 12 · column 5 of 7 · from the scan, no model involved

and disturbing at the same time. You can’t see her face, but you don’t have to. Her feelings can be read in her hands.
As a non-artist, I enjoyed Middle Street Gallery’s “Sacred Cows” show. I admit that I expected the works to be perhaps more offensive — the invitation to artists to debunk sacred cows seemed to me to be like waving a red flag in front of a bull.
But the controversial content is there; it is just more subtle than the works of Mapplethorpe and Serrano. There is probably justification for the warning at the door that “Paren
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