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languished in true obscurity for years, prefers working in the relative shadows where he said he has the ability to spend more time as a composer.
Seskin, who writes for the biggest names in Nashville, composed 1998’s tear jerker of the year, “Don’t Laugh at Me,” which propelled Mark Wills to the top of the country charts.
This time around, Reisler has managed to lasso in Vance Gilbert and Bob Franke.
Franke, who is one of this country’s most respected
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