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time. "It's rewarding to set* a lle\\ actor struggle for weeks w it 11 a part and then suddenly assume it naturally <ui stage," said Kiland.
The split second preci si*hi ul the script is demandinn fur even seasoned actors. "I was concerned with the relationship of movement and meaning,” Kiland said. “So much of what makes a plot move is not just what t he actors say. This play hinges on the coin hination of precise meanings and precise movements. Many of the characters are on stage for only a short t ime."
Kiland found a revived interest in television commercials, studying economy of movement and meaning.
Months of study, rehearsal and organization come
together Krida.v for opening night at Tickets are available at the box office, and at Nature’s Koods in Washington.
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